Reconsidering Brokeback

Posted by Jack Stephens | July 25th, 2008 | Crossposted from The Blog and the Bullet

Marisol Lebron, over at the blog post pomo nuyorican homo, blogs about Brokeback Moutain (in retrospect of Heith Ledger and the latest Batman film):

I confessed that I actually owned the film on DVD and enjoyed it quite a bit when I first saw it. I still think that the film has some of the most breathtaking cinematography I have seen in a long time. What I hated about Brokeback was the hyped up mainstream celebration of the film and the lack of critical race and sexuality analysis. For me, seeing the film in a theater packed with gay white men in Chelsea, I noticed the film became a collective moment for the predominantly Anglo audience to share their despair at the fact that there was no happy ending for the two white male protagonists.

6 Responses to “Reconsidering Brokeback”

  1. Jack Stephens Writes:

    Damn you Jack Stephens! How dare you start re-posting your blogs twice in a row.


  2. Jack Stephens Writes:

    Hey man, not my fault, just a hiccup in the system, calm down brotha.


  3. Jack Stephens Writes:

    Ah, I see, well then never mind. And a good day to you.


  4. sylphhead Writes:

    What the hell is going on…


  5. Jack Stephens Writes:

    What the hell is going on…

    Just messing around. Not sure why it’s causing a glitch.


  6. runawayfred Writes:

    Heath. It’s Heath. As in candy bar.


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Reconsidering Brokeback

Posted by Jack Stephens | July 25th, 2008 | Crossposted from The Blog and the Bullet

Marisol Lebron, over at the blog post pomo nuyorican homo, blogs about Brokeback Moutain (in retrospect of Heith Ledger and the latest Batman film):

I confessed that I actually owned the film on DVD and enjoyed it quite a bit when I first saw it. I still think that the film has some of the most breathtaking cinematography I have seen in a long time. What I hated about Brokeback was the hyped up mainstream celebration of the film and the lack of critical race and sexuality analysis. For me, seeing the film in a theater packed with gay white men in Chelsea, I noticed the film became a collective moment for the predominantly Anglo audience to share their despair at the fact that there was no happy ending for the two white male protagonists.

Leave a Reply

If you have questions about the moderation policies here, please read this post. Short version: treat other posters with respect.

If your submitted comment fails to appear, without even an error or "waiting for moderation" message, then our spam-blocking software may have blocked your comment. Please contact the moderators immediately so we can rescue your comment. If this happens repeatedly, you might visit Akismet's comment form to tell them they're falsely identifying you as a spammer.

Markup Controls