Thinking About The Relationship Between and Among Teaching, Grading and Learning, or “You Don’t Want To Sound Like A Black Girl From The Suburbs”
Three students from my technical writing class came to see me during my office hours a couple of weeks ago because they were unhappy with the grades they received on their first assignment of the semester and they wanted my help in rewriting it for a better grade. The assignment, which I give every time I teach technical writing, is pretty straightforward. Students are instructed to imagine that it is the end of the previous semester–which in this case would be Spring 2009–and they have gone to the English Department office, where they are told that registration for Technical Writing is by instructor’s permission only, and so they need to submit to me a letter of application. In writing this letter, they are allowed to use any source material they think is relevant: the syllabus I have handed them, the college catalog, my faculty and/or personal website, my ratings on ratemyprofessors.com–anything–as long as what they write contains the following:
- An explanation of the course’s relevance to either their career goals or their academic careers;
- A discussion of what they perceive to be their strengths and weaknesses as writers;
- A discussion of what they believe they have to offer the class.
The assignment is difficult, especially given the fact that my students are, overwhelmingly, college freshmen or sophomores. Not only have most of them never had to write a real letter of application before–and good letters of application are damned hard to write–but even seasoned writers can find it difficult to articulate their writing strengths and weaknesses. More, it is rare that an 18-, 19- or 20-year-old has the maturity to write persuasively about either her or his character traits or plans for the future. Indeed, one of my goals is that, by confronting students with just how difficult it is to write about themselves in a way that is both persuasive and professional, the assignment will spur at least some of them to think a little more deeply about who they are, what they want to do with their lives, the place of writing in their lives, and how and why they choose to present themselves in writing the way they do.
The first student who came to see me, a woman from Senegal for whom English is a third language, received an F on her paper because it was filled with so many grammatical, editing and proofreading errors that, had it been an actual letter of application, I would have stopped reading after the first half of the first sentence. Truly, it read like she’d spent, at most, fifteen minutes typing, unfiltered, whatever was in her brain and then handed to me the piece of paper that emerged from her printer without giving it even the most cursory of second glances. Almost the first thing she said to me when she sat down in my office was, with her eyes starting to tear up, that maybe the best thing for her to do was drop my course. Clearly she was a horrible writer, she said, and she did not want to end up with an F on her transcript. I asked her if she was a good writer in French, the language of instruction in her country, and she said yes. I asked her what grades she’d gotten in high school on the essays she’d written in French, and she told me A’s and B’s. The problem, then, I explained–and I am paraphrasing a much longer conversation–was not that she was a horrible writer. Literacy skills transfer from a first to a second–and even a third and fourth–language. The problem was that she hadn’t taken the time to do her best work, and when I suggested that maybe this was because she’d figured writing a letter would be easy, she smiled and nodded. Now that she knew better, she said, she would at least give rewriting the assignment a chance before deciding to drop the course.
I’ve been teaching in the English Department of the community college that employs me for twenty years now, and I am still surprised–though perhaps I shouldn’t be–that it’s the students who are used to getting good grades with whom I have to have the above conversation. Not that these students are the only ones who fail to take assignments seriously, but they tend to be the ones who come to my office either, like my student from Senegal, more or less destroyed by the poor grade I have given them or convinced that what they need is to get from me my personal “Student Road Map to the A.” Student who are looking for the latter tend to argue that my standards are not just different from those of all the other teachers who have graded their work in the past; my standards are much, much tougher. This was what the second student who came to see me said. An African-American man who wants to be an inventor and a consultant, his first words after he sat down across from me were, “I don’t understand what you don’t understand about what I wrote.” It’s a fair question, and one I usually look forward to answering because it can lead to real dialogue and real learning on the part of the student, except that–at least at first–this student was more interested in persuading me that the strategy he used in his letter should have gotten him a better grade than the C I gave him than in hearing my explanation for why it didn’t. I explained, giving several examples to illustrate my point, that his letter was neither well-focused nor well-enough substantiated and organized to convince me, were he truly applying, to admit him to my class. Each time I paused to see if he understood what I was saying, though, he responded by explaining in turn that his goal in the letter was for me to get to know him as the impressive person he is–that is my paraphrase of what he said; he was not, in fact, arrogant enough to say it like that–because that knowledge, he felt, ought to have been sufficient for the letter to succeed. When I suggested that asking me to read five paragraphs of often irrelevant detail about himself before he even mentioned the fact that he was applying to my class might be asking a bit too much, he explained, again, how important it was for me to get to know him. “I still don’t understand why you don’t get this,” he said.
So I went over one paragraph with him in extreme detail. I showed him how adding specific examples to support the claims he was making about himself, while at the same time taking out the irrelevant information, would make his letter persuasive. He understood, or at least seemed to understand, but instead of taking this understanding and going back to rewrite his letter, he tried to push me into doing the same thing with every other paragraph. When I told him I would not do that, that he needed to take what he’d learned and try to apply it–to do, in other words, his own work–he said, “I’m beginning to understand what you want from me, and so what I need to know now is how to get you to give me an A, and the only way I am going to learn that is if you go over each paragraph with me.”
What I need to know is how to get you to give me an A. I recognize that students want good grades; I acknowledge the emotional validity of feeling like, if you are paying for an education, part of what you should be receiving is a roadmap to the grades you want to receive; and I certainly appreciate that there are students for whom the practical value of their grades outweighs, legitimately and reasonably, whatever value I might place on some ideal notion of what teaching and learning ought to be about. As I see it, though, my job is not to show students how to get A’s. My job is to teach, to help students learn, which means that, on one level, it doesn’t really matter to me if a student moves from a D to B, or from a C to a C+, or from a B to an A. What matters is that they have moved, that they are better writers when they leave my class than they were when they entered. It’s not that I am indifferent to students’ desire and/or need for good grades, but learning to write is not like filling in a blank or coloring in a circle on an exam where there is only one right answer to each question and so the formula for getting an A is clear. Rather, learning to write is a lot like growing up. No matter how much advice and guidance we get, the fact is that we all grow up in our own way, at our own pace, and some of us never manage it at all. Read the rest of this entry »

