Attar in Progress: “This Tale Applies to You”

This is a story that has been told in several different versions. Here is my first pass at Attar’s take on it in Elahi Nameh. Izrail is the name of the Angel of Death:

I’ve heard that one day Izrail,

consumer of souls, entered the hall

where Solomon reigned. Seated there

was a young man. God’s soul collector

glanced quickly at the young man’s face,

turned around and left the palace.

Terrified, the young man ran

to Solomon for help. “You can,

I know, command the clouds. Choose one

to carry me away from here.

Death has sickened me with fear.”

Solomon did as the man asked.

A cloud carried him from Fars

to India. Three days passed

before Izrail came again.

“Swordless shedder of blood,” Solomon

addressed him, “why such a keen glance

when you saw that young man?” “I’d planned,”

the angel answered, “at God’s command,

to seize his soul in India

three days from when you saw me last;

but when I saw him in this room,

I did not understand how three days’ time

would be enough for him to get there.

When the cloud bore him off, I followed,

and took his soul to meet with God.”

Cross-posted on my blog.

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Cartoon: The Minimum Wage Versus The Earned Income Tax Credit

Script for this comic SelectShow
Posted in Cartooning & comics, Economics and the like | 28 Comments  

So what’s with all those tiny pigs?

If you’ve met me at a comic book convention, you may have noticed the little herd of toy pigs decorating my table. I bought those when I was drawing the first Hereville book, to help me draw the pig character! I took hundreds of photos of those plastic pigs, from every angle and height, and used them as reference while drawing the comic.

pigs-and-drawing-side-by-side

You can see a pattern on the pig in the photo above. This was contributed by one of the two small girls I live with, at some point when I wasn’t in the room to stop them. :-p

I didn’t use the models during book 2, since the pig only appeared in one panel. But I still have the little herd of pigs, and when they’re not appearing at cons they stand in my drawing area, near a Peppermint Patty figure.

pigs-at-studio

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My Niece Makes Tin Foil People

jemma-with-tin-foil-figures

When kids read my rather depressing and angst-ridden short comic “How To Make A Man Out Of Tin Foil,” they pretty much all react the same way: They make little tin foil people, just as my character Joel did in the comic! Which I think is kind of awesome.

This photo is of my wonderful niece Jemma Andersen. :-) And here are her tin foil superheroes:

jemma-with-tin-foil-figures-2

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Stumptown 2013 con report

So I decided that for once, I wouldn’t spend the whole con at my table, instead wandering around and looking at other folks comics and even attending panels now and then. It was neat. The best line I can recall from any panel is Dylan Meconis, in her spotlight panel, suggesting that “the Hero’s Journey” is the french fries of story structure.

Here I am at my table, in a photo taken by Joshin Yamada:


20130428-StumptownComicsFest2013-IMG_4620

Yes, that is one of my favorite shirts. My one regret about this photo is that it doesn’t show my new sneakers, which are bright bright red.

(Edited to add: And actually, I wish I had put my left hand on my chin, so my pose would more closely echo the post of the character on the cover of “How To Make A Man Out Of Tin Foil.” Oh, well, next time.)

More Joshin pictures from Stumptown: Jake Richmond (colorist of Hereville, creator of Modest Medusa, looking as if he’s doing algebra in his head), Becky Hawkins (rockin’ the lace), Ben Hsu (giving the ever-reliable thumbs up. You can’t go wrong giving a thumbs up!), Jaymz Bernard (sporting a t-shirt that matches her arm tattoo), Diana Nock (I don’t have a snarky comment for Diana), and Taran Manley Lee (flanked by Taran’s frequent sidekicks Jenn Lee and Kip Manley).

I was sharing my table with Becky and with Diane Riffe, who was their with her very first mini-comic, an adorable all-ages tribute to Diane’s dog Luna. Alas, Diane didn’t happen to be there when Joshin came by, so as far as I know she escaped unphotographed.

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Review of “No Ocean Here,” by Sweta Srivastava Vikram

Let’s get the obvious, by which I do not mean inconsequential, out of the way first. When a writer chooses to use her art to give voice to those who might otherwise be voiceless, that choice deserves to be recognized for its necessity, because bearing witness is a choice that all too few writers, and perhaps especially poets, make. In her introduction to No Ocean Here, which was published this year by Modern History Press, Sweta Srivastava Vikram makes clear that bearing witness is what the volume is all about. Based on interviews she conducted, she writes, the poems in No Ocean Here take on the fact that women in many countries throughout the world, “are stripped of basic human rights,” often starting life “without adequate means of nutrition, learning, and protection.” Vikram goes on:

I decided to write this book because listening, telling, and writing the stories of those who can’t write them will create awareness…. I can only pray that the book urges readers to empathize, and help…. If the book can provide even a handful of women, in unfortunate situations, strength and courage to say NO, I would be humbled.

That is a tall order for any book, much less a book of poetry, given how few people generally read poetry, but it is impossible not to applaud Vikram’s commitment to the stories she has gathered, the women who have told them to her, and the language of poetry with which she has struggled to bring them to life. Nonetheless, once you have acknowledged the value in Vikram’s motivation and recognized that the stories she sets out to tell do still need to be told (because it would be dishonest to pretend that these narratives of women’s oppression have not been told before), you still need to ask what her poems actually accomplish, not merely whether they succeed as art–though since they are art, that is the first and most important question–but whether they bear witness in a way that makes a difference.

Overall, I wish Vikram would learn to trust her language more. There are moments of real, and sometimes painful beauty in these poems, metaphors and snippets of narrative that illuminate the lives of the women Vikram writes about and that do, I think, have the power to change people’s perspectives in the way that only art can. Too often, however, those moments are undercut by writing that is prosaic, self-consciously didactic and sometimes mired in unfortunate cliches, as in these lines from the concluding strophe of “Her Wounds Are Mysterious:”

Her wounds are mysterious
like the Congo; the depth unseen
to the world but home to insects
rarely heard….

The reference to the Congo is both cliche and evocative of a racist imperialism that is all too similar to the heterosexual male prerogative that wounded the girl the poem is about in the first place. Still, you can see the potential in what this strophe might have been like if it had been revised a little more. “Her wounds are home to insects….” is a metaphor that far more powerfully captures, I think, the horror and the damage inflicted by the men in the poem. Indeed, reading No Ocean Here, I found myself thinking more than once that one more revision would have strengthened the volume considerably. Notice how much stronger the poem “Honor Killing” would have been without the final three lines:

Dead, she stares at the sea
as it carries her bones
thrown by guards,
smoking water pipes.

Her mother’s mouth fills with sand,
her father and brothers’ hands are covered
with gloves to cleanse the stains
left on the walls of their family
by a man who spread her legs,
tore her apart like a coyote.

Right before her murder, she didn’t see
the silhouette of her face
in her grandmother’s heart.

Apparently the family’s pride lies
underneath her skirt,
in the space between her legs.

That second-to-last strophe is beautiful and heartbreaking. It would have made a fine ending to the poem, and I am happy to say that there are many moments in No Ocean Here that live up to the potential in those lines. The first couplet of “Her Wounds Are Mysterious,” for example, gives us a girl who “wasn’t always a fallen leaf,/she danced;” and in “There Is Something Wrong with the World,” women “who are compelled to kill their own youth/become invisible like soot inside chimneys.” The poem “War” deals with rape as a weapon of war in images that are hard to forget:

All cavities of the women’s trust were emptied out
when each man selected a victim:

her mother’s body, stuffed inside soil,
was stomped by feet and questions,
her sister dragged by her dark breasts,
and she was turned to debris and dust.

One of the strongest poems in the book, “Caretaker of Graves” takes on the subject of female infanticide, but from a mother’s perspective, and ends with what, for me, is an absolutely devastating image:

The sun doesn’t sink until 8 p.m.
but she sees darkness of bats all day.

Tidal waves of melancholy mix
with seeds plowed in her every year.

Mouth filled with muffled cries,
hospitals and conspirators in doctors’ clothes
shadow her throughout married life.

Frogs get used to the air at night
but her murdered womb mourns scars.

No Ocean Here is an uneven volume, but the moments of power and beauty it contains make it worth having and Vikram a poet worth watching.

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More comments that make my day (Tumblr edition)

First, This Is Not Jewish wrote, about “Hereville”:

This is a real thing, guys…and a graphic novel to boot.

colbert-give-it-to-me

EDIT: Be still my heart, it has a sequel too! And he’s working on a third! *squee*

Then B’rakha replied:

I HAVE THIS BOOK

IT IS GLORIOUS

I HIGHLY RECOMMEND IT TO ANYONE ON THE PLANET

And finally, 3gee – perhaps trying to counterbalance B’rakha’s all-caps by dispensing with caps altogether – wrote:

what i can’t get over is the fact that barry deutsch, the author, is a white liberal goy living in portland oregon, but he not only did his research, he fucking nailed what it means to observe shabbat in all its glory and frustration, and how you shape your life around prayer and halacha but that’s no big deal, that’s just what you do

her conflicts are with her parents, not her religion

amazing

amazing

I’m not a “goy” by standard American definitions – I’m not observant, but I am Jewish – but whatever, it’s still a great compliment!

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Questioning the Mission of College: Frank Bruni’s Column in Today’s Times is Worth Reading

I think the piece pretty much speaks for itself, but here are a couple of paragraphs that stood out for me:

How practical versus idealistic should the approach to college be? I’m somewhat torn, and past columns have reflected that. I applaud proposals to give young people better information about how various fields of study match up with the job market and about projected returns on their investments in college. And for students who want college to be an instant pivot into a job with decent pay, a nudge toward certain disciplines makes excellent sense.

But college is about more than that, with less targeted, long-term benefits that aren’t easily captured by metrics. And some of the reforms being promoted right now lose sight of that and threaten to lessen the value of a degree.

It’s worth following the links in that quote; each piece raises some important questions. And I applaud the warning with which he closes:

I’d sound yet another alarm. Scratch the surface of some of the efforts to reform state universities and you find more than just legitimate qualms about efficiency and demands for accountability. You find the kind of indiscriminate anti-intellectualism and anti-elitism popular among more than a few right-wing conservatives.

Posted in Education | 40 Comments  

Because Men Only Understand Cliches

That’s the title and the title poem of my second book of poetry, on which I have just put the finishing touches and which I will, over the next couple weeks, start shopping around to publishers. LIke last time–which was in 2004, the year my first book, The Silence of Men, was accepted for publication, though it was actually published in 2006–I have decided that I will not be submitting this manuscript to any contests. Well, maybe one or two, because the prize money is enough to make it worth gambling the entry fee, but what I’m really looking for is a publisher with whom I can develop a relationship, because I know I have more books of poetry in me. If I cannot find a publisher for this manuscript, I will almost certainly publish it myself, because I believe the poems in it deserve a hearing.

Edited to add: For me, the book’s title, Because Men Only Understand Cliches, is so firmly rooted in the circumstances that inform the title poem, and also in the poem’s–and therefore the book’s–position (in my head) as a response to that assertion, that it did not occur to me that some people might read the title as an accusation that I was making against men. Well, I have been shown the error of my ways. Artos, who commented on my blog, wonders whether or not I “realize how offensive [Because Men Only Understand Cliches] is to men who are not mang­i­nas? Kind of like, “Blacks only know fried chicken and watermelon.” I have decided to let his comment through primarily because it made me smile; it’s the first time I’ve been called a mangina on the Internet, certainly on my own blog, and that feels like some kind milestone. When I told my son about Artos’ comment, he said, after he stopped snorting with laughter, “Really, what is he, in fifth grade?” This is from the first movement of “Because Men Only Understand Cliches,” which tells the story of where the title comes from:

Belly like a watermelon
stuffed up the front
of her white cotton summer dress,
the pregnant woman at the corner
turns her back to me to face
the direction she’ll cross the street in,
and what she’s wearing
flares from the waist down
in a twirl that settles
along the line of her hips
till only the hem that falls
to just above her ankles
is still rippling, a flag
waving surrender
to this late summer day.

My eyes lift to her shoulders,
follow the contour the fabric traces
down from the loops
through which her tanned arms emerge
to the curve of her butt cheeks
that bounce lightly as she steps back,
just avoiding the taxi pulling up fast
to the curb where she’s standing.

She’s as tall as me or taller,
black hair tied tight in a braid
pointing like a compass
to the small of her back,
and she isn’t wearing panties,
her dress not unlike the one
you wore the night we wandered the beach
till the boardwalk lights were stars
blinking at our backs,
and the campfires scattered across the sand
were the signal flames of a distant town.

The moon over the ocean
cast our shadows behind us.
You stood in front of me,
the blue cloth of what you were wearing
bunched in the hand I held to steady you
just beneath your breasts, my other hand
finding when I reached
that you’d been naked to the breeze
running up your legs, you’d said,
like the water’s warm breath
before it touched its tongue to you.

You gave a throaty laugh
as I pulled you tighter to me,
stroking and pulling and gently
parting the fur you let grow in
once the lover who’d kept you shaved was gone;
and you were wet,
though wet does not do justice
to the fruit bursting its skin
between your legs.

I kissed the lips you shape your words with,
and in your coming—we were surprised:
you never come at home
at just the urging of my hands—
you called your pleasure out to the open sea
for the wind and tide to carry who-knows-where,
and I heard again my teacher
telling the men in my first-year poetry workshop
that none of us would ever
“write a successful cunt poem,
because when it comes to cunts,
men only understand clichés.”

I thought how you have only ever called it
your vagina, then later, while you slept,
tried to list the rhyming words I’d need
to write a sonnet, but China, Carolina, trichina—
a parasite you don’t want to catch—and angina
were the best I could do. I listed off-rhymes,
Montana, banana, and then,
in the New Yawk accent you love to mimic,
I heard linah, finah, minah, and reclinah,
that last one bringing me
the woman from the conference
who worried that two kids had made her
“roomier down there”
than any man other than the husband
she’d been needing to leave for years
would want, and so she hadn’t left him.

Cross-posted on my blog.

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Rape, Harassment, Race, Fear of Crime, and So On.

So a blog I subscribed to on (the soon to be late and lamented) Google Reader ages ago – mostly likely because I thought the author wrote something really excellent – recently began a new blog.

Clicking over, I found that the blogger’s newest update is mostly a rebuttal to a nine-year-old post of mine. It’s a small internet sometimes!

Describing the genre (of which my post is a primary example – indeed, one of only three examples given), Scott writes (emphasis his):

…the very many near-identical articles either telling men that they are scary or telling women that they should be scared of men. A necessary convention of the genre is to note that it’s dangerous and privileged to dismiss this as “just a small number of men”, and in fact that we should view it as something fundamental to men.

“A small number of men” is quoted from my post, but I never wrote that “we should view [men being scary] as something fundamental to men.” I don’t think we should view anything as “fundamental” to men.1

In some contexts, women are rational to feel a little scared of a man who approaches them. Rape and attempted rape happen to around one out of four women in the United States; street harassment, which can be incredibly unpleasant and even threatening, happens much more often.

The bright side is, I can easily imagine a society in which rape and street harassment are extraordinarily rare events, like being hit by lightning. So no, it’s not at all fundamental.

Scott concentrates most of his fire on this passage from my post:

Imagine that one out of 25 men have at some point in their lives attacked and tortured an Oregonian. You don’t know which ones had done it – you just know it’s about one in 25. And they had done it simply because they had wanted to, and they consider people from Oregon to be just that worthless.

Now imagine you were born in Oregon.

How safe would you feel in your daily life? What would it do to your feeling of security and safety, knowing that “only” one out of 25 of the men you stand in line with at the bank, the male cashiers you meet at the grocery, the male cops patrolling the streets, the male students you take classes with and the male professors you learn from, and your male co-workers at the office, has attacked someone like you, because they were like you?

Scott’s primary response is a race-and-crime metaphor, accomplished with whatever statistics he could cherry-pick to make Black people look really, really violent.

I sort of hate responding to stuff like this, because it’s a no-win situation for me. If I respond by pointing out the racism implicit in Scott’s arguments, Scott will no doubt take offense and complain I’m name-calling, he was just talking about how violent black people are in order to make his argument work better, he actually intended his argument to be anti-racist, etc etc.

(I’m not saying Scott is a racist – I don’t even know Scott. I think it’s possible he got a little too enthused about his argument and erred by not seeing the quite-possibly-unintentional racist implications, and by being too uncritical about stats that seemed to support his case.)

On the other hand, if I respond by blandly responding as if Scott’s arguments aren’t full of racist assumptions, I’d be sort of “normalizing” the racism, acting as if such arguments are not something to be objected to.

So read this passage, and consider what it assumes about Black people:

America is about 50% men/50% female. Suppose that America were 50% black/50% white. We know that black people commit homicide at a rate 7.5x greater2 than white people, so in this hypothetical society 88% of murders would be committed by black people.

It seems almost unavoidable that in a 50% Black society, Blacks position in society will have radically changed; we’d see more Black CEOs, more Black Congresspeople, more Blacks in elite universities. Blacks would finally be in the ruling class in significant numbers.

And yet even though Black people’s position in society has radically changed, the correlation of homicide rates and race hasn’t changed. This only works if we assume that Black people are intrinsically much more likely to be murderers, regardless of all other factors.

(In real life, by the way, high-quality research (1 2 3) has shown that homicide rates are a function of poverty and neighborhood characteristics, not of race.)

(The other option is that Scott was imagining an apartheid-like society in which Black people increase from 12% to 50% of the population while still being largely shut out of the ruling class, and the “murders” committed are actually wartime deaths caused by acts of the interracial rebel alliance against the White government. I doubt a society would provide a valid comparison for the purposes of Scott’s argument.)

Scott then goes on to radically misstate a statistic, in a way that paints Black people as scary and violent:

And what percent of black people, in this society, would commit violent crimes? [...] We know that about 30% of black people will go to prison sometime in their lives.

Scott’s link is to a Wikipedia page that provides no support for this “30%” statistic. In comments, Scott cites two papers which in turn cite a 2003 report by the Bureau of Justice Statistics (pdf link). But the BJS report actually says is that “nearly 1 in 3 black males” in the cohort born in 2001 are likely to go to prison at some point if trends continue.

It’s irresponsible, ignorant, and disparaging to extrapolate from a projection of a subset of Black people to “30% of black people will go to prison sometime in their lives.”

There’s much more, but I don’t want to make this post the length of a phone book or a Bill Clinton speech, so let’s skip ahead to Scott’s alleged knock-out punch:

Any argument that “proves” that we are justified in suspecting all men of being rapists, equally proves we should feel justified in suspecting all black people of being violent criminals.

But this is horrible and repulsive. Therefore, we should at least consider the possibility that something is wrong with the original argument about men and rape.

Scott’s analogy is crucially wrong because sex – unlike race – is an actually relevant factor. Even after you account for other factors (race, class, whatever), sex remains important. The same isn’t true of race.

One of the comment-writers at Scott’s blog put it well:

The major reason I think the black/white analogy fails is that being wary of black people trying to rob you is simply not a practical idea. Criminal tendencies are a result of poverty, not race, and looking for signs of poverty, among other things, will probably do you much better than simply looking at race. I don’t think that any black person you run across is more likely to be a criminal than any white person you see once you control for location, dress, mannerisms, age, gender, etc.

E.g. I would be equally unafraid of an elderly black man wearing a suit on a university campus and an elderly white man wearing a suit on a university campus. I would be equally afraid of a young black man on the subway in a misshapen hoodie with a wild look in his eyes and a young white man on the subway in a misshapen hoodie with a wild look in his eyes. But if you are a woman, obviously any man you come across in any context is far, far, far, more likely to rape you than any woman.

Scott also doesn’t understand the differences between violent street crime and rape, and these differences crucially undermine his argument.

Re-quoting the passage from my post, Scott writes:

How safe would you feel in your daily life? What would it do to your feeling of security and safety, knowing that “only” one out of 25 of the men you stand in line with at the bank, the male cashiers you meet at the grocery, the male cops patrolling the streets, the male students you take classes with and the male professors you learn from, and your male co-workers at the office, has attacked someone like you, because they were like you?

This seems to be a claim that women do (or should) feel extremely afraid of every man in their life.

As I said in the paragraph before the passage Scott quoted, “rape is a commonplace enough thing so that at some level most women are to some degree kept in fear of rape, because the possibility is always there.”

I explicitly talked in terms of “at some level” and “to some degree.” It’s dishonest to describe this as me saying that women ought to be “extremely afraid of every man in their life,” or terrified by all men.

It’s sort of like my fear of street crime when I find myself waiting at a bus stop with a bunch of young men3 who smell of booze and are acting aggressively towards each other. I’m not “terrified,” but I am aware that guys with similar surface characteristics have sometimes gotten hostile, and on one memorable occasion chased me throwing rocks, or gotten hostile, and part of my mind is remaining cautious. (And yes, a little fearful.)

But it’s hard to talk about that stuff with someone like Scott, because he seems to have no concern at all for being truthful, and I doubt he conceives of me as a human being with feelings, who doesn’t enjoy being lied about. When Scott reads that story, will he nod and say “although I disagree with his conclusions, I understand how Barry can feel that way”? Or will he say “here’s some ammo I can use; I can say that Barry said that it’s a good idea to always be terrified of young men because they’re probably going to throw rocks at you.” Judging by his performance in the post I’m replying to, Scott is more likely to do the latter. But maybe he won’t.

Scott goes on:

I used to work for an African-American guy. [...] he was an upper-class businessman. [...] You can get a pretty good feel for whether someone is a violent criminal in a couple milliseconds, and he gave off exactly zero of these vibes. Third of all, I was in a busy office with him the whole time. It’s very very hard to get away with violent crimes in a busy office. Fourth of all, we were doing paperwork and stuff, not things like drinking in a bar or gambling or cockfighting or wherever else it is violent crimes tend to occur.

These same factors apply to women worrying about being raped. The chance your male professor is going to rape you in class isn’t 1/25 any more than the chance that my black boss was going to mug me at work was 1/10. Once you go from “average person, at some time in their lives” to “average person you willingly interact with, in the situation you are likely to willingly interact with them”, all these probabilities go down very close to nil.

The thing is, the typical rapist is someone the victim knows, or someone the victim is dating. And the rape might well take place in their own home, or at a party they chose to go to, or in a car they chose to get in, or in a back room of their workplace. The typical sexual harasser at work is a boss or coworker. There are legions of complaints from students about professors who have sexually harassed them in some way, and for that matter it does occasionally happen that a professor is a rapist.

Scott’s entire argument rests on the analogy between street crime and rape – but that analogy doesn’t hold up, and Scott’s attempt to make it, in the passage above, just shows that he doesn’t understand the first thing about rape or about sexual harassment.

Once, in a hotel, I met a journalist I’d known for ages on the internet. We were internet-friends and fellow comics fans, and at some point I suggested – perfectly innocently, albeit thoughtlessly – that we go to my room so I could show her some of my work-in-progress. She responded that she’d love to see it, but could we use the hotel lobby instead?

The point was clear – she didn’t know me well enough to be sure of my trustworthyness or intentions. At some level, she had to consider – was I hitting on her? If I was, would I get hurt, hostile or insulting if she said no? Would I take no for an answer?

She was not being unreasonable or insulting. She was protecting herself in a very minor and polite way – and if I had chosen to feel insulted, that would have been on me, not her. I made a mental note to try to avoid putting other women in that situation again, and I went up to my room to grab the art I wanted to show her. It’s not a friggin’ big deal.

* * *

Post-script: A couple of side thoughts.

First of all, I think – when we’re talking about something like “feeling of safety” – street harassment and sexual harassment has to be discussed, along with rape.

In Scott’s comments, Avantika writes “rape frequency isn’t the only relevant statistic for this calculation. There’s a whole range of harassment-behaviors that are less quantified but women actively try to avoid, and are much more common than actual rape.” She’s got a good point. Years ago, when I wrote the post Scott is responding to, I didn’t include that in my thoughts; in this post, written today, I tried to.

Secondly, Scott talks a lot in his post about small, relatively innocuous things that people say that make him feel bad as a white man. I have… mixed feelings about this?

I’m sorry Scott feels bad. I sympathize, and I hope he feels better. Given how thin-skinned he describes himself as being, I wonder if arguing about politics on the internet is really the best choice for him, but of course he’s the only one who can decide that. (For myself, a major reason I’ve slowed down my blogging so much is that I just feel better this way, and am much better able to concentrate on things like writing comic books.)

I can definitely agree that some feminists have said things to me that are just plain anti-male. This is rare, but it has happened, and sometimes it hurt.

At the same time, Scott seems to translate virtually ALL feminist discussion, regardless of what it actually says, into anti-feminist cliches about what feminists say. In my case, he seems to believe that I said totalizing things about men’s “fundamental” scariness, and that I’m calling for all women to be terrified of every man in their life. But I didn’t say those things; I didn’t say anything even remotely like those things.

Scott, in other words, seems to be determined to take offense anytime a feminist or anti-racist says anything at all. For instance, he objects to a Asian women quoting racist things white men say to them on OKCupid. If objecting to being called a “dumb chink whore” is too inconsiderate of Scott’s feelings, then I think the problem there is Scott, not the folks blogging at “creepy white guys.”

I do think there’s a place for being considerate of anyone’s feelings, including the feelings of white straight men. (I’m a white straight man myself). But Scott seems to think it’s anti-male to ever criticize sexism against women, and anti-white to ever criticize racist whites. That’s not a reasonable foundation for dialog, or anything else.

  1. Ten years ago I might have said “the only thing fundamental to being a man is having a penis,” but I’ve learned a lot about trans issues since then. []
  2. The 7.5 reference is to an FBI report from 1992, but more recent reports show that the number hasn’t changed significantly. []
  3. I’ve thought about this a lot, and I’m pretty sure I feel this regardless of the race of the young men. []
Posted in Race, racism and related issues, Rape, intimate violence, & related issues | 65 Comments